- The World of Chaucer at the University of Glasgow. You can also look at the Flickr set associated with this exhibition.
Working with Chaucer Manuscripts
- At Harvard's METRO: Middle English Teaching Resources Online, in the "line" or section for Chaucer, "Platform 3" has a series of interactive exercises dedicated to textual editing as well as codicology and paleography.
Manuscript Finding Aids
- Siân Echard at the University of British Columbia has, on her webpage, a collection of links to different full and partial digital facsimiles of Chaucer's manuscripts and printed books.
- The most famous -- some would say the most authoritative -- manuscript of the Canterbury Tales is the Ellesmere Manuscript, held by the Huntington Library in California. It was probably written between 1400 and 1405, making it one of the two earliest manuscripts of the CT. This is the version with the famous portraits of the pilgrims, as well as the foundation for the Broadview edition that I often use in class (and which should be your first stop for further information on this manuscript).
- The other candidate for authoritativeness is the Hengwrt Manuscript (National Library of Wales Peniarth MS 392D), produced about the same time as the Ellesmere but demonstrating some substantial textual differences. Hengwrt is held at the National Library of Wales and has now been fully digitized.
- The Canterbury Tales Project is a major digital editing and facsimile creation project, currently based out of the University of Birmingham, England. Their editions are available for purchase on CD-ROM (digital editing is not a cheap proposition), but they also have samples from some Tales and manuscripts available on their website.
- Oxford, Corpus Christi College MS 198, another early fifteenth-century Chaucer manuscript, is available as a digital facsimile from the University of Oxford's digital manuscript site. It's not as pretty as the Ellesmere, and it's missing its first leaf, but it gives a good sense of a more "everyday" manuscript than the glories of the Ellesmere can.
- The University of Glasgow has also fully digitized Chaucer's translation of the Romance of the Rose, The Romaunt of the Rose.
- The Parker Library on the Web has what was intended to be a beautifully illuminated Troilus and Criseyde, but the illuminations were never completed (thumb through and see where the scribe left space for the illuminator's work.)
- University of Pennsylvania Library, MS Codex 902 is a collection of Old French poetry from c. 1400 that contains not only verse by Chaucer's French contemporaries (like Guillaume de Machaut and Oton de Grandson) but also, tantalizingly, some poems only signed "Ch." Could these be French poems by Chaucer? It's an unprovable question, but certainly this manuscript contains the kind of French verse that influenced Chaucer's own lyrics.
- The University of Calgary hosts a critical hypertext edition of The Book of the Duchess; although there are no manuscript images, the editors transcribe each of three manuscripts so you can get a sense of the differences among these individual witnesses to the poem.
- However colorful and interactive the digital facsimiles might be, the print ones are still invaluable resources. UGA Main Library holds many of these; to find them, go to the catalog and do a Subject Heading search on "Chaucer, Geoffrey, d. 1400 - Manuscripts - Facsimiles."
Chaucer in Print
- The British Library has a website for both of Caxton's Chaucer editions, along with much background information on early printing.
- The University of Glasgow "World of Chaucer" online exhibition also includes several important early printed Chaucers.
- Early English Books Online (on-campus access only) also provides access to these and other early modern editions of Chaucer.
- One of the most famous modern editions of Chaucer is the Kelmscott Chaucer, produced by William Morris' Kelmscott Press. The Kelmscott Chaucer is an important witness to pre-Raphaelite art, Arts and Crafts aesthetic, and the Victorian reconception of Chaucer and the Middle Ages. It's also a beautiful, beautiful book.