The undergraduate conducting sequence is open to all music majors and minors and includes a general introductory class, a second level course grouped by genre (instrumental and choral) and a third advanced level course which focuses on rehearsal techniques. Motivated undergraduate students may audit the graduate practicum in conducting, and a select few could participate (conduct) by audition/invitation.
Our undergraduate spring conducting symposium, organized by CNAfME (Collegiate National Association for Music Education), offers a rare opportunity for motivated young conductors to work with a full ensemble and conducting faculty in gestural and rehearsal techniques.
Interested students are also encouraged to audition to become a drum major with the Redcoats, an extremely rewarding experience in music and leadership.
UGA offers cutting edge MM and DMA programs in Conducting. These competitive degrees offer students the opportunity to conduct a broad array of ensembles in preparation for a professional and/or academic conducting career. The art of conducting is examined from the perspective of gesture and movement, score study/analysis/ear training, and rehearsal techniques/teaching. In addition, students learn a broad range of repertoire within social and historic contexts. A focus is placed on contemporary music and the development of the wind band as a friend to living composers.
Conducting majors may receive private lessons each week and participate in a graduate practicum exploring creative movement, aural and score reading skills, history, repertoire and a variety of other musical topics. Graduate conductors have the opportunity to work with our nationally visible athletic band program including arranging, writing, and teaching drill. In addition to working closely with our five full time wind conducting faculty, wind conducting majors also study with our renowned orchestral and choral conducting faculty and collaborate with conducting students from all three genres. The graduate practicum in conducting is co-taught by Professor Cedel, Director of Orchestral Activities, Professor Bara, Director of Choral Activities, and Professor Turner, and focuses on orchestral and operatic repertoires.
Graduate conductors conduct all of the wind bands at Hodgson, including frequent appearances with the Hodgson Wind Ensemble and Wind Symphony. Graduates are also required to read relevant literature in related areas to conducting (brain research, leadership, presentation skills, entrepreneurship, psychology, learning theories, movement/gesture, creativity, etc.) and present a “20/20” presentation (20 slides in 20 minutes) to invited faculty and other students. Annual treks to the Midwest Band and Orchestra clinic in Chicago are sponsored. It is expected that graduate conductors will be published by the time they graduate from the program. This could be an arrangement, transcription, composition, or scholarly article in a peer-reviewed journal.
Graduate conducting students have the opportunity to learn from other conductors in the profession by interacting with guest conductors at Midfest and Janfest and throughout the year. Opportunities to learn from guest soloists and composers are also frequent. The Hodgson Wind Ensemble acts as a “lab band” for undergraduate and graduate composers each semester. This affords the graduate conductor an opportunity to learn fresh ink and work closely with a composer to bring the work to fruition. In addition, Dr. Johnston Turner, as co-artistic director of UGA's contemporary chamber ensemble Rote Hund, provides opportunities for graduate conductors to work with graduate composers and performers to present new and exciting works for strings, winds, and percussion.
DR. JOHNSTON TURNER ANTICIPATES THREE FUNDED OPENINGS FOR THE FALL OF 2018.
FREQUENTLY ASKED QUESTIONS (AND ANSWERS) ABOUT GRADUATE STUDIES
What do you look for in a Graduate student?
Excellent musicianship is a given–good ear, developed technique and gestural language, good rehearsal techniques, knowledge of history and repertoire. Beyond that? Inter- and intra-personal skills, a willingness to take risks, a hard worker, positive attitude (no whiners allowed), an entrepreneurial spirit, an independent, intelligent thinker and doer, a reader, a team player, a good heart, someone who is talented in areas other than music, someone who will go out and change the wind band world in a significant way. How are you different than everyone else who wants a graduate degree? What needs to change in the wind band world? How are you going to change it?
Do I need to have teaching experience to be accepted into the graduate program?
Not a bad idea. But not necessary if there are other things working in your favor (see first answer).
How much podium time will I receive?
Lots. You will conduct all of the wind bands, including the wind ensemble. In the spring semester, graduate conductors run the non-major concert bands. The DMA graduate recital is with the Hodgson Wind Ensemble.
Will I have the opportunity to conduct ensembles and repertoire other than the wind band repertoire?
Yes! Good music is good music, and we don’t have a ton of patience for musical snobbery. You will learn orchestral, “new,” (for Wind Ensemble and contemporary chamber ensemble), choral, and operatic repertoire, along with wind band repertoire. This is a comprehensive program.
What and how are the TA duties assigned?
We don’t like our Teaching Assistants doing a lot of busy work and we try to assign duties that will both contribute to your learning and stretch you in some way. If you want to work with the Marching Band, great. If you don’t want to because you have no experience doing so, you will definitely get that experience. If you want to focus your assistantship on library duties, great. On teaching, great. Yes, there is some moving of chairs and stands, but it’s minimum. Will you be called upon sometimes to go above and beyond? Yes.
What is the “Graduate Practicum?”
The Graduate Practicum is an 8000-level course that is co-taught by Dr. Turner, Mr. Cedel (orchestra), and sometimes Dr. Bara (choral), and emphasizes practical experience conducting a variety of repertoires. Guest performers include two rehearsal pianists, graduate small ensembles, and singers. In addition to “getting on the box,” the practicum addresses real world issues by invited guest artists and lecturers, CV and webpage development, navigating tenure, job interviews and auditions, entrepreneurship, writing program notes, engaging audiences, score-study, psychology of leadership, etc.
Do you have any suggestions on the application process?
If you submit an application on Decision Desk, and we’ve never heard of you, we won’t give it a lot of consideration. While it’s difficult for some to visit campus (but highly recommended), reaching out via email or Skype is always an option. We are also happy to review video before you submit an application. A Masters or Doctorate degree isn’t just about a 2-3 year relationship. We make a life-long commitment to you. We write letters of recommendation, we make phone calls, we are your strongest advocate – always.